• SELECTION OF WORKS
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    • Memorial Exhibition Albert Yaying Xu
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    • Solo Piano
    • Room for Improvisation
    • Untitled (Frog Sign Intervention)
    • Translocating To The Immaterial
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  • PEDAGOGY
  • YEYE
  • BLOG
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  • ABOUT
  • CONTACT
  • Menu

Complex Business YLÏAM BEYRENS XU

  • SELECTION OF WORKS
    • Residency 25'
    • Unknown Network
    • Where The Echo Comes From
    • Sonic Playground
    • Memorial Exhibition Albert Yaying Xu
    • Ambiguous Skate Nation
    • The World Is Complicated
    • Solo Piano
    • Room for Improvisation
    • Untitled (Frog Sign Intervention)
    • Translocating To The Immaterial
    • VDB Transit Company
    • MONDAY MOURNING
  • ARCHIVE
    • PORTRAITS
    • DIGITAL
    • NOTEBOOKS
    • Complex Business: The Book
    • [2025 Solitude]
    • [2021 Black Ink On Card]
    • [2020 Post Distortion]
    • [2017 Sketchy Business]
    • Public
    • Events
  • MUSIC
  • PEDAGOGY
  • YEYE
  • BLOG
  • SHOP
  • ABOUT
  • CONTACT

I Wanted To See The River

January 03, 2025

Entering a deserted house, we find a floor full of broken plates, bowls, old magazines, homework and books of a man learning English. A few hundred meters further, the same houses, but lived and owned by living people. A noodle shop seems closed, but our hunger is too curious. The interior of his restaurant looks exactly the same the empty homes, a mountain away...

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Taken with my Olympus Mju II, old camera of Ye-Ye. He shot many of his architecture pictures with it. Film was Ilford Delta 400. Scanned at home with my Epson V600. I didn’t colorgrade, it appears this reddish, not sure if normal? I like it.

Tags: taiwan, analogue, film, plant
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